{"id":75637,"date":"2023-10-15T12:27:43","date_gmt":"2023-10-15T10:27:43","guid":{"rendered":"https:\/\/www.adrienneteicher.com\/?page_id=75637"},"modified":"2024-04-09T18:06:03","modified_gmt":"2024-04-09T16:06:03","slug":"sound-design","status":"publish","type":"page","link":"https:\/\/www.adrienneteicher.com\/sound-design\/","title":{"rendered":"Sound Design"},"content":{"rendered":"\n
I have a vast body of work in location sound, musical scores<\/strong>, sound design, voice overs<\/strong> and post production<\/strong>, often with my long-time collaborator Kathryn Fischer<\/a>. As writers and performers with experience both behind and in front of the camera, on and off the stage, we crave projects where sensitivity <\/strong>and imagination<\/strong> are desired. With our deep knowledge of sound design, we bring a deep awareness<\/strong> of the needs of post production when recording audio on set.<\/p>\n\n\n\n Equipment List<\/a><\/p>\n\n\n\n Sound Design I have a vast body of work in location sound, musical scores, sound design, voice overs and post production, often with my long-time collaborator Kathryn Fischer. As writers and performers with experience both behind and in front of the camera, on and off the stage, we crave projects where sensitivity and imagination are […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-no-title","meta":{"footnotes":""},"jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/www.adrienneteicher.com\/wp-json\/wp\/v2\/pages\/75637"}],"collection":[{"href":"https:\/\/www.adrienneteicher.com\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.adrienneteicher.com\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.adrienneteicher.com\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.adrienneteicher.com\/wp-json\/wp\/v2\/comments?post=75637"}],"version-history":[{"count":20,"href":"https:\/\/www.adrienneteicher.com\/wp-json\/wp\/v2\/pages\/75637\/revisions"}],"predecessor-version":[{"id":76595,"href":"https:\/\/www.adrienneteicher.com\/wp-json\/wp\/v2\/pages\/75637\/revisions\/76595"}],"wp:attachment":[{"href":"https:\/\/www.adrienneteicher.com\/wp-json\/wp\/v2\/media?parent=75637"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}Projects (Selection)<\/em><\/h2>\n\n\n\n
\n\n\n\nA Body Like Mine<\/a><\/h2><\/div>\n\n\n\n
\n\n\n\nLulu<\/a><\/h2><\/div>\n\n\n\n
\n\n\n\nChokehole: Drag Wrestlers do Deutschland<\/a><\/h2><\/div>\n\n\n\n
\n\n\n\nThe Fourth Generation<\/a><\/h2><\/div>\n\n\n\n
\n\n\n\nSivan Ben Yishai : Like Lovers Do – Memoiren der Medusa<\/a><\/h2><\/div>\n\n\n\n
\n\n\n\nK\u00f6rper Figurationen Welten<\/a><\/h2><\/div>\n\n\n\n
\n\n\n\nSivan Ben Yishai: Unsere Stadt aus Vogelaugen \/ Eine Blutung im Dunkeln<\/a><\/h2><\/div>\n\n\n\n
\n\n\n\nSivan Ben Yishai, Maren Kames, HYENAZ : Annies<\/a><\/h2><\/div>\n\n\n\n
\n\n\n\nOder: Du verdienst Deinen Krieg (8 Soldiers Moonsick)<\/a><\/h2><\/div>\n\n\n\n
\n\n\n\nInstinct<\/a><\/h2><\/div>\n\n\n\n
\n\n\n\nW(a)rmholes<\/a><\/h2><\/div>\n\n\n\n
\n\n\n\nThe MILF Next Door<\/a><\/h2><\/div>\n\n\n\n
\n\n\n\nThe Ten Murders of Josephine<\/a><\/h2><\/div>\n\n\n\n
\n\n\n\nQueercore: How To Punk A Revolution<\/a><\/h2><\/div>\n\n\n\n